Showing posts with label 2009 Grindcore Top 10. Show all posts
Showing posts with label 2009 Grindcore Top 10. Show all posts

Tuesday, December 29, 2009

2009 Grindcore Top 10

With the number of yearly metal releases continuing to stay above 10,000 the "Top 10 Albums" list is increasingly attaining the unspoken addendum, "...That I've Heard." No one can listen to it all. For my part I've listened to over 160 grind albums this year, along with 28 EPs and 51 seven-inch splits. Yet still, when averaged against the full volume of available yearly material, I barely scratched the surface. At the same time, I'm still discovering quality bands and albums from a few years ago. That said, it's been a great year. Many newer bands are returning to the genre's roots. Add the advances in production and musicianship and it is easy to see many good things and solid returns on the grind horizon.

So here it is, my "Top 10 Grindcore Albums of 2009... That I've Heard." And honestly, I think albums 11-30 are just as viable, just as worthy of consideration. I knew right from the start that I couldn't please everyone, and since I don't have to, I didn't try. Still, you are encouraged to rip into these picks with the rapacity of a slighted sports fan. And if anyone is feeling constructive, then by all means, post a list of your own.


#10 - Weekend Nachos - Unforgivable
Label: Relapse
Buy here
Review






More hardcore than grindcore, less powerviolence than anticipated, Unforgivable probably doesn't even belong on this list. It's major redeeming quality is how heavy this album is. Not "heavy" in some Lip Service To The Genre type of way, but truly, neutron star Heavy. From front to back the riffs on Unforgivable serve the title justice.

#9 - Parlamentarisk Sodomi - De Anarkistiske An(n)aler
Label: 625 Thrashcore
Buy: Sold out. Pester 625 for another printing.
Review





Quite simply the best one-man grindcore band that ever was, PxSx encapsulate everything about the genre: lyrics dripping with unadulterated political fury, riffs covering every possible tangent between crust and thrash, and equally important, an approach so full of hate that you almost feel the same way about Norway that he does - even if you've never been there. There would be more fans if the production was a little better. It takes a trained ear to hear the goodness through the static.

#8 - Hatred Surge - Deconstruct
Label: Rescued From Life Records
Buy: Mailorder from RFL, or try Google.
Review




Strike another band off my "overdue for a full length" list. On Deconstruct Hatred Surge adds a secret ingredient to the powerviolence formula: integrity. Many will speak to the awesome vocal performances as a reason to enjoy this album. For me it's the music. The songs are constructed so well that this could have been an instrumental album and I would love it just as much. Deconstruct "feels" authentic.

#7 - Attack Of The Mad Axeman - Scumdogs Of The Forest
Label: Scrotum Jus Records
Buy here
Review






Tree Hugging Death Grind never sounded so good. Just enough punk influence to keep the grinding raw and just enough death metal influence to keep that raw grind from sounding stale. The fusion is rather interesting - instead of trading off one riffing style for the next, they fused both styles into their riffs. Is it deathgrind 2.0 or deathgrind done right?

#6 - Squash Bowels - Grindvirus
Label: Willowtip
Buy here
Review




I cannot get enough of this album. If it was released earlier in the year I would most likely rate it even higher. Grindvirus is as heavy as grind gets. The riffing is seriously down-tuned crust and the drumming is near perfect for the genre. Many say Squash Bowels play goregrind (which I am not buying for a second) but if that's the case then they are the Bolt Thrower of gore.

#5 - Nashgul - El Dia Despues Al Fin De La Humanidad
Label: Power-It-Up
Buy here
Review




Nashgul play Blast Beat Punk at it's finest - and toss in the right amount of thrash riffs to give their songs a constant feel of variety. Nothing new, nothing innovative, just pure attention to classic grind details. They also add a strange twist to the genre by having their "air raid siren" at the end of the album instead of the traditional beginning. I wonder what Andrew thought of this?

#4 - Super Fun Happy Slide - The Undislodgable Nugget Scenario
Label: Bizarre Leprous Productions
Buy here
Review







The Undislodgable Nugget Scenario sounds like the lost live recording of a grindcore super group touring in the late 80's. From their warning in the intro that "It's a Fast One" all the way through to the end, those of us who remember Reagonomics as more than a D.R.I. song should be sent adrift down memory lane. "I Can't Believe It's Not Carcass."

#3 - Afgrund - Vid Helvetets Grindar
Label: Willowtip
Buy here
Review







Slimming down to a three piece and showing a level of musical maturity not expected from a sophomore album, Afgrund truly came to play on Vid Helvetets Grindar. No longer the second cousin once removed of Nasum and Rotten Sound, Afgrund established their own style and approach this time around. It's got a little punk to it. It's got some thrash. And it proper grinds.

#2 - Agoraphobic Nosebleed - Agorapocalypse
Label: Relapse
Buy here
Review








I had given up on Scott Hull. Nothing he has done since 2001 blew me away. Sure, it's all good, but good can be found almost anywhere. Enter Agorapocalypse. Everything came together fittingly here. The drums sound organic, realistic, plausible. Any drummer could sit down and follow along. The riffs are as intense as Mr Hull has laid down in years. And Randall came through with his best vocal performance. It seems like all Scott had to do was waste a year of his life on a movie soundtrack that was never used.

#1 - Wormrot - Abuse
Label: Scrotum Jus Records
Buy here
Review












I question the integrity of any grindcore fan who does not have Wormrot somewhere in their Year-End Top 10. The only viable excuse is not hearing it. The entire grindcore ethos is represented on Abuse. Punk collides with crossover at furious speeds. Social and political issues are skewered lyrically. The only modernity on the album is found in the musicianship - which is flawless from beginning to end. "Here's your Patriot Act; here's your fucking abuse of power!"